RE: MD Creativity and Philosophology, 2

From: David Buchanan (DBuchanan@ClassicalRadio.org)
Date: Sat Apr 23 2005 - 20:07:46 BST

  • Next message: Scott Roberts: "Re: MD Zen & Reason"

    Mattman, Robin and all other crime fighters:

    Matt said to Robin:
    I'm not trying to prove you wrong. However, I thought we were in an
    dialectical argument, exchanging viewpoints, arguments, evidence,
    interpretations, etc. If you bring up something from the history of
    philosophy to contextualize your point, I would think it warranted for my
    riposte to contest that context if I think its wrong. If I'm making it
    sound as if you "just read a book," its because what you say resonates in
    the history of philosophy and part of my style is to point out those
    resonances. If it seems like I'm "throwing another book" at you to "prove
    you wrong," that's because, after setting up the resonations in the history
    of philosophy, I can make my own point in that context and then make the
    complete circle back to what you said and make my point directly applicable
    to you. That's an issue of style.

    dmb says:
    There is a scene in the film SLEEPLESS IN SEATTLE where Rosie O'Donnel and
    Meg Ryan are watching an old black and white tear-jerker from the 1940's. As
    I recall it, Meg complains that its not a very accurate depiction of love.
    And Rosie says something like, "Oh, but its not really about LOVE. Its about
    love IN THE MOVIES."

    Along the same lines, Robert McKee, my screen-writing guru, says the problem
    with today's screenwriters is that they know everything about screenplays
    and almost nothing about life. As a result, the scripts they produce have a
    phony quality. Their ideas about movies come from other movies and not from
    their own experience.

    You see what I saying?

    Suspend all your ideas about the distinction between natural and historical,
    between philosophy and philosophology, between creativity and scholarship
    and all that other business. As I see it, these issues are only making it
    hard for you to see a very simple point; Philosophy is supposed to be about
    life and if your philosophy is about philosophy then it is not about life.

    And I see this same problem across the board. I love art, but I hate
    paintings that are ABOUT PAINTING. I hate poetry that is ABOUT POETRY. I
    hate music that is ABOUT MUSIC as well as movies ABOUT MOVIES. And this is
    what I mean by my complaints about what you post here. I get the distinct
    impression that your philosophy is ABOUT PHILOSOPHY and has very little to
    do with what's in your heart. It doesn't come from your life so much as from
    the books you've read.

    You see what I saying?

    This is what I mean when I complain that it lacks substance. Its got no
    heart.

    And I would also repeat the complaint that by focusing on the distinction
    between philosophy and philosophology in the way you have, you've missed the
    point of what Pirsig was doing in that chapter. Namely, he is discussing
    originality as a warm up to doing something original. I mean, if there are
    any philosophical works on the nature of insanity I would very much like to
    know where to find them.

    Thanks,
    dmb

     

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